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Label Art Forum Berlin 2006

Art Forum Berlin 2006

The 11th Art Forum Berlin - The International Fair for Contemporary Art - presents itself consequent in its selection and constantly focussing on new.

September 30 to October 4, opening September 29, 2006 the Art Forum Berlin appears as a precise, compact, actual fair with a by far wider range of international attendance and a fresher program than last year.

The annually rotating Admission Committee 2006 has made its choice out of a record number of applicants.

About 120 Galleries from Europe, Asia, Australia, North- and South-America have been selected for this year's edition.

Members of the Admission Committee 2006 were Carlos Duran, Galeria Senda, Barcelona, Ellen de Bruijne, Ellen de Bruijne Projects, Amsterdam, Kamel Mennour, Gallery Kamel Mennour, Paris, and Markus Lüttgen, Johnen Galerie, Berlin, as well as the curators Beatrix Ruf, Kunsthalle Zurich, and Britta Schmitz, Hamburger Bahnhof - Museum für Gegenwart, Berlin. Georg Kargl, Galerie Kargl, Vienna, did represent the Galleries' Advisory Board as did Christian Nagel, Christian Nagel Galerie, Berlin/Cologne, who assumed the chair of the International Admission Committee.

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Art Forum Berlin 2006

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Senay TOPCUOGLU

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The Circle Project by Richard Sarson

The Circle Project by Richard Sarson

Drawings created with a compass and felt-tip / magic marker pens.

Over 1000 circles are hand-drawn for each piece with the colours chosen completely at random.

Created by Richard Sarson the drawings are the result of an obsession with pattern and symmetry along with the desire to create complex images using simple things.

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Levent OZLER

David Spencer Finding Emily

David Spencer: Finding Emily

Spencer has had several group exhibitions both in Western Australia and interstate, as well as a sellout solo exhibition.

These latest works display Spencer's vibrant and dramatic art, which visually interprets the relationship with his partner.

The entire exhibition revolves around Emily, who has brought an enlightened inspiration to his work that only love can evoke.

With their explosion of vitality, colour and verve, his works are highly collectible.

Opening Friday the 18th of August 2006 at Code Red, this will be the opening exhibition for the gallery at its superb new location in Fremantle, and invitations are in hot demand!

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Levent OZLER

Wishful Thinking

Wishful Thinking

Reuben Rude was born in San Francisco, as the sun was setting on the Free Love era.

His bohemian parents then moved "back to the land" to the woods of Northern California, where he spent the better part of his childhood without a television.

This lack of technology forced him to spend almost every waking hour drawing and painting.

When he moved back to the city to attend art school, he got into all the usual trouble with graffiti writers, skateboarders and art students.

He now lives in San Francisco with his wife and eight-year-old daughter, and yes, a television.

However, he still spends most of his waking hours drawing and painting. Sometimes he even gets paid for it.

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Reuben Rude

Artist Noriko Ambe Selects YUPO Synthetic for New Body of Work

Artist Noriko Ambe Selects YUPO Synthetic for New Body of Work

Having completed her second solo show at New York's Josée Bienvenu Gallery, Noriko Ambe's topographical sculptures evoke simultaneously the monumentality of canyons and valleys and the complexity of fine wrinkles on the skin.

Ambe's most recent exhibition, entitled Flat Globe, refers to the process of creating three-dimensional pieces made from hundreds of flat sheets of translucent YUPO synthetic paper.

Using a tiny X-Acto knife, she cuts complex streams of swirls and ripples, creating volume by slowly building stratified layers in a growth process similar to the way a tree ages through spiral rings.

Her sculptures embody the time taken to create them, resembling craters and fault lines, tiny earthquakes and ancient rock formations.

"I chose YUPO for its impossibly smooth texture and the iridescent, almost marble quality of the color," says Ambe.

"Because YUPO is fiber-free, it holds the smallest lines and cuts, without fraying, for sharp, clean edges." YUPO's resistance to water and humidity ensure that Ambe's creations will stand the test of time, can be easily maintained and will not warp or shift.

YUPO synthetic paper is distributed for art uses through an exclusive agreement with art materials specialist Legion Papers and through national retailers like Dick Blick and Cheap Joe's as watercolor paper.

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Artist Noriko Ambe Selects YUPO Synthetic for New Body of Work

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Levent OZLER

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