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 In the 1940's the American photographer Robert Frank produced his now iconic photographs of the city of London at work.
Some fifty years later photographer Anthony Jones comes to the subject with this series of tightly composed black and white studies which convey a sense of mystery and tension.
Though Anthony's work has been published and exhibited on both sides of the Atlantic, this is the first time it has been exhibited in the square mile and is something of a homecoming.
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 Warner Bros. Entertainment plans to move its cinema construction design center from London to Shanghai as part of a continuing expansion into the Chinese market, a Chinese state media report said Friday.
The center will handle all cinema design work for theaters in China, Italy, Japan, the United States, and any other countries into which the company expands in future, the Xinhua News Agency said.
It cited Millard Ochs, president of Warner Bros. International Cinemas as saying the move would "further close cooperation" between Warner Bros. and its Chinese partners.
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 It's easy to dismiss the Boy's Own adventure world of South Australia's David Bromley as nostalgic, decorative, feel-good art that panders to the eager tastes of the commercial market.
Peer inside the new beachfront mansions springing up along any of Adelaide's coastal esplanades - or at the walls of everything from the city's executive offices to plush hotels and even elite nightclubs - and you are likely to see one of his sun-drenched depictions of childhood moments, sensual gold-leaf nudes or wallpaper-like fields of metallic butterflies and boats.
But behind Bromley's phenomenal international success and his outwardly joyous depictions lies a darker side.
These seemingly innocent works are the cathartic outpourings of a life both marred and fuelled by addictions, masking the artist's own psychological traumas while crying out for a better world.
His latest series of Young Artist paintings depicts boys with paintbrushes in hand, creating replicas of everything from famous nudes to sailing ships.
Bromley, 45, insists he was never the boy in those paintings. "I wish I was - to be that focused, to be that involved.
There's a lot of jealousy going on with these guys," he says.
You would never know it from the confidence in Bromley's own brush marks, as he frantically mixes a specific golden hue and boldly
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 Tamara Treu, a skilled editor comfortable with both short and long form editorial projects, has joined the FLUID Editorial roster, it was announced today by Managing Partner Marc Schwartz.
For the last four years Tamara Treu has had an ongoing freelance relationship with a number of New York based advertising agencies including Publicis Dialog, Ogilvy & Mather, JWT, and Foote Cone & Belding, and has cut commercials, brand videos and music videos for the likes of Welch's, Lux, Nivea, American Express, Dove, Charmin and Merck, among others.
At the same time she has applied her experience on the AVID, AVID Symphony, and Discreet Logic smoke*, her sound design skills and her graphic design talents on a number of independent projects including the four-part PBS documentary series Cadillac Desert, an Alfred I. DuPont award winner, for which she was Associate Editor working through Trans Pacific Television and KTEH/San Jose Public Television; the feature documentary Watch Me Jumpstart which aired at the New York Video Festival, for which she was Associate Editor working through Rough House Editorial (San Francisco, CA); and Limbo, an independent feature, which she co-edited and which is still screening at festivals worldwide.
Tamara Treu also edited three personal projects - He Saw Red, a 15 minute independent short screened
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 His paintings are three-dimensional games which have dazzled fans as celebrated as Glenn Close and Oprah Winfrey.
But Patrick Hughes is a bit of a puzzle himself, says Andrew Barrow.
Is he one of our great, neglected artists?
Or merely a dandy Surrealist who has learnt to pull the wool over our eyes?
Anyone strolling down the busy thoroughfare of Great Eastern Street on the edge of the City of London can hardly fail to notice a huge brightly lit ground-floor window in which a skinny, clown-like figure can be seen working on the most peculiar sculptures.
Or are they paintings? And why do these artworks seem to twitch and tremble, duck and dive, as you walk past them?
The brightly dressed man-at-work is a creature called Patrick Hughes and these unstable, sticking-out objects, which now sell for as much as £65,000 each, are his latest and most lucrative invention.
Similar pieces by this prolific oddball now adorn private collections from Chicago to Cologne - including those of Oprah Winfrey and Glenn Close - and can also be goggled at in the British Library, the Birmingham City Art Gallery and other public spaces.
An exhibition of six vast new visual shockers opens at the Flowers East Gallery in London on 20 January.
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