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Siah Armajani

Siah Armajani

编辑Germano Celant。
在20世纪70年代之内艺术在得到的过程介入了远离特异性，并且成为更多打开，不用界限。 所有研究瞄准了将超越传统极限的运动，四面八方引起挡不住的流程。 图象和姿态疆土采取了形式，极大地由所有取向同时出现膨胀，从生态学的社交，表现到建筑学，精神对物理，无需投入特殊口音在一个或其他。

艺术性的工作建立了与所有可能的上下文和环境情况的联系，干预到处。 它留下所有传统后边倾向于中央焦点是存在的发生。 艺术家随意移动，仅搜寻他们自己的身分。

显示在几年内出现那在不同兴旺了，不同的个体的揭示上，与流行音乐象到基本的结构，文化通信对概念性过程，对装饰回忆的领土运输，假设象流行艺术的标签，最小的艺术，人体艺术，概念性艺术，土地艺术，样式绘画，驱动的易变的个体往绝对流动性的。 Siah Armajani (1939)发现自己开始他创造性的远航，从1


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May 15, 2004 | Viewed 32,854 time(s)
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