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Textiles Quality Control Standards and Testing Procedures

Textiles Quality Control Standards and Testing Procedures

Flame resistance (fabric's ability to resist burning).
Crocking resistance (fabric's colorfastness). Ultra-violet light resistance (fabric's resistance to fading).Physical properties (fabric's resistance to pilling, seam slippage, and tearing).Abrasion (fabric's ability to withstand surface wear from rubbing).

Flame resistance:
(Fabric's ability to resist burning)
Note: Test is dictated by the intended end use for the fabric.
Application Passes
Upholstery Vertical Flame Test - California Bulletin 117 Section E
Panels and Upholstered Walls Tunnel Test - ASTM E 84 (unadhered method)
Vertical Flame Test:
Fabric is mounted in a vertical holder and exposed to an open flame for a specified amount

of time. Once the flame is removed, the after flame and char length of the t

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Vivienne Westwood

Vivienne Westwood

Tuesday 22 June,13.00-13.45
Lecture Theatre
Claire Wilcox, exhibition curator.

12 Feb-25 Apr Victoria and Albert Museum, London, England.

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A Short History of Manufactured Fibers

A Short History of Manufactured Fibers

For thousands of years, the use of fiber was limited by the inherent qualities available in the natural world. Cotton and linen wrinkled from wear and washings. Silk required delicate handling. Wool shrank, was irritating to the touch, and was eaten by moths. Then, a mere century ago, rayon - the first manufactured fiber - was developed. The secrets of fiber chemistry for countless applications had begun to emerge.

Manufactured fibers now are put to work in modern apparel, home furnishings, medicine, aeronautics, energy, industry, and more. Fiber engineers can combine, modify and tailor fibers in ways far beyond the performance limits of fiber drawn from the silkworm cocoon, grown in the fields, or spun from the fleece of animals.

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The Space Between Textiles Art Design Fashion

The Space Between: Textiles, Art, Design, Fashion

This conference-which takes place in Western Australia-focuses on the intersection of creative disciplines that has given rise to hybrid fields like biotechnology, cybernetic design, and nanotechnology. This event offers a forum for discussion and debate of the issues facing artists, designers, writers, academics, and curators-including such topics as globalization, traditionalism, Modernism, ideology, and "new" technologies.

Opening 14 April 2004 at John Curtin Gallery, Curtin University of Technology.The space between conference was initiated by the Textile Exchange Project and will be hosted by Curtin University of Technology (http:/www.curtin. edu.au), Faculty of BEAD (http://bead.curti n.edu.au/) (Built Environment Art and Design) at the University's Bentley campus and other locatio

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New York Home Textiles Show 26-29 March 2004

New York Home Textiles Show 26-29 March 2004

Exciting debuts, notable launches and the highest quality resources will distinguish the spring 2004 New York Home Textiles Show, March 26-29, 2004, creating a valuable market experience for the home textile industry. Seventy-five new companies, 44 of which are domestic, will infuse the market with fresh takes on bath, bedding and a full range of new fashions for the home

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