WilkinsonEyre Transforms Science Museum to Create World's Largest Medical Galleries

WilkinsonEyre Transforms Science Museum to Create World's Largest Medical Galleries

WilkinsonEyre recently transformed the first floor of the Science Museum in London to create the largest medicine galleries in the world. 'Medicine: The Wellcome Galleries' contains more than 3,000 objects selected from the globally significant medical collections of the Science Museum Group and Wellcome.

WilkinsonEyre's radical reconfiguration relocated the Medicine galleries to a prominent first-floor position, almost doubling the permanent display space in this area from 1,600sqm to 3,000sqm. New lifts provide improved accessibility to the galleries, which were previously situated over the smaller fourth and fifth floors. The opening of the galleries represents the culmination of Phase I of the museum's Masterplan that in the course of a decade has seen more than 15,500m2 of newly transformed spaces opened within the museum.

WilkinsonEyre has worked with the Science Museum on a number of gallery transformations since 1997, including the iconic Making the Modern World gallery which is now overlooked by, and creates a synergy with, Medicine: The Wellcome Galleries. Engaged to create an elegant, thoughtful and captivating new home for the medicine collections, WilkinsonEyre has worked closely with the museum to design a coherent enfilade of new galleries out of a disparate mix of circulation space, gallery and other areas.

"A transformation of the medicine galleries was essential to better engage both existing and new audiences," commented Julia Glynn-Smith, principal architect from WilkinsonEyre. "Our redesign aims to capture the visitor's imagination by providing an appropriate setting for the interpretation of these highly compelling artefacts and by placing people at the heart of each story."

The practice collaborated closely with curatorial and interpretation teams on the presentation of artifacts from the collections, drawing out the personal stories behind the objects and bringing them to life. Spanning centuries and continents, items were carefully‚Äč chosen to tell the story of medicine's impact on society in a people-centered way, rather than just through the eyes of practitioners. The varied and vast selection includes an amputation saw from the 1500s, amazingly detailed 18th-century wax anatomical figures, a 1911 pharmacy shop front and interior, and a padded cell from the 1930s. Other highlights include the first MRI scanner, the first vaccinations for smallpox, and a circular display for gallstones and other stones.

WilkinsonEyre's design takes the visitor on a journey through five distinct themes: Medicine & Bodies, Exploring Medicine, Medicine and Communities, Medicine and Treatments and Faith, Hope and Fear. This is conceived as a progression from darkness into light and back to darkness, symbolizing the human life cycle, and concludes with different responses to illness and mortality.

These themes are reinforced through the approach to materiality and lighting, with surfaces ranging from dark-toned paneling at the start and end of the galleries through to a brighter, daylit section in the center. A timber engineered floor with a chevron pattern runs throughout the galleries. This combined with new timber wall linings creates a crisp, contemporary look.

There are over a hundred display cases within the galleries, all designed by WilkinsonEyre. They range from integrated wall cases, freestanding cases and frameless balustrade display cases surrounding the void over the Making the Modern World gallery. Each case is a bespoke design to optimize the display of the objects. In addition, the practice has created a series of brushed bronze fixed and freestanding units to accommodate 63 audio-visual interactive elements developed alongside the Science Museum's digital team.

Further bespoke features include a dramatic Wunderkammer (Cabinet of Curiosities) within the Exploring Medicine gallery. This large-scale steel and glass structure, located on an axis between the first and second galleries, houses 1000 objects, principally from the Henry Wellcome collection, presented as a mass display exhibit that wraps around the museum's central lift bank.

The interpretative and environmental graphics for the galleries were designed by a graphic design team at Holmes Wood led by Lucy Holmes, who collaborated closely with WilkinsonEyre from the outset to create an integrated and seamless design that tells the story of the history of medicine through highly crafted text, imagery and installations. Embedded into the architecture of the gallery, this engaging and accessible narrative is designed to appeal to the many different types of visitors that will walk through the doors.

Photography: Ed Reeve

filed under: Exhibition Design
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